Three of us, one lab.

Film Blvd is Gio, Jose, and Fabian: three Miami photographers who built the lab we wanted for our own film. This page is the honest version of that story.

Wide medium-format film frame on Kodak Portra 400
Kodak Portra 400 · Photo: Fabian Socarras

Why we built it.

We shoot film. All three of us, constantly: for work, on trips, around Miami. For years we sent our rolls wherever and something always came back a little short. Scans we didn't love, a thin negative nobody mentioned, great frames living in a download link that expired in a week.

So we built the lab we kept wishing for: a small studio on Biscayne Blvd where film is developed by hand in small batches, where the person scanning your roll shoots the same stocks you do, and where every frame lands in an archive that keeps it for good.

Here's the part most labs would leave off this page: all three of us have day jobs, and the lab runs around them. That's why our counter hours are soft, why we'd rather set a time with you than post a grid we'd keep breaking, and why the drop box outside never closes. It's also why your roll is never one of hundreds racing through a machine.

We'd rather develop fewer rolls carefully than every roll fast. That trade is the whole lab.

Who does what

Film frame on Fujifilm 400 — a hot dog cart under Good Humor umbrellas in Central Park, New York
Fujifilm 400 · Photo: Jose Balmaceda

Jose.

the lab · chemistry · operations

Jose runs the lab. Temperatures, times, replenishment, process control: the quiet discipline that decides whether negatives come out clean, roll after roll. He pitches in on scanning and converting negatives when the queue runs deep, and minds the business side too — which is what lets a lab this small stay this careful.

@lifeby_zay
Medium-format film frame on Kodak Portra 400 — an abandoned house with a broken tile roof, Curaçao
Kodak Portra 400 · Photo: Fabian Socarras

Fabian.

the scans · the platform · this page

Fabian splits his week between the scanning rigs and the code. Most frames that land in your archive passed through his hands: he scans, he edits, and he gives every roll its last look before it's released. He built the platform end to end — the order flow, this site, the Archive itself. If something here works nicely, tell him. If it doesn't, definitely tell him.

@heyfabe.film
Film frame on Fujifilm Superia 400 — a woman in a white fringed dress standing on jetty rocks over the water
Fujifilm Superia 400 · Photo: Gio Garibaldi

Gio.

the counter · first hello · what's on around town

Gio runs the counter. He's your first hello when you walk in, and the reason first visits tend to turn into regular ones. Want to know what's happening around town — which photo walks are forming, what car show is worth bringing a roll to, which gallery is doing something after hours (sometimes ours) — Gio already knows. When you message us to set up a drop-off, odds are you're talking to Gio.

@stillnsoul

Come say hi.

The studio is at 7613 Biscayne Blvd, Studio 1. Message us and we'll meet you at the counter, or skip the clock and use the drop box outside, any hour. Either way your film ends up in the same hands.